Significant” "...the strongest stage presence is Rita Gregory's as Lucy, the cranky matriarch, determined to continue her task of reviving the past, however fragmented. She has a fine foil in Nathan Jedrzejewski's Brazil, an entertaining mix of dutiful heir and subversive commentator who provides most of the show's humor.” “Nothing makes a stronger claim for significance than the design. The flexible Open Stage space has been turned into a regular proscenium, in which Jeremy Rolla erects a stage of polished wood, sharply raked, decorated by museum artifacts with a Victorian cast -- the debris of a sentimentalized history. In Act 2, the stage opens up into an actual hole in which Brazil digs.” - Pittsburgh Post-Gazette |
“Maslow imaginatively stages parts of this as almost vaudevillian, or a minstrel show, with actor Garbie Dukes displaying amazing virtuosity…As his son, Brazil, Nathan M. Jedrzejewski follows in those dynamic footsteps, skillfully alternating between absurdities and realities.”
- Pittsburgh City Paper Recognized three times in the Pittsburgh Post-Gazette's |